(I want my DAW clocked by an external source)Īudio Pulses are good as well but I feel the CV Tools are lacking in detailed control (one might need to edit the device in Max to make it better +accept different PPQN values) Ableton is a bit whacky, I'm gonna try to use MTC in the future It has different priorities to the CPU and is well implemented.īut the timing of the DAW itself does play a large role. Then again it is an entirely different protocol, especially in the Macintosh environment. *a very informative thread is over at the Sequentix forum (albeit deep in the vaults somewhere)įireWire on the other hand, I've found is much more stable (sometimes takes a few bars to lock up to external clock but is quite impressive) The USB protocol is just designed with a different use in mind (it sends messages in intvervals which causes delay/jitter and all that "jazz") You guys are overlooking a very important factor here That's why I sequence external hardware with a hardware sequencer, and then record the audio into Live, and do my best to keep Live's midi activities to a bare minimum. Apple basically doesn't give a fuck because more people buy Macs to do video or other activities unrelated to audio, so they're not going to change the kernel to reprioritize, not even for their own audio software. Now that being said, unfortunately, modern machines all kind of suck when it comes to midi timing because quite simply, the video invariably takes priority over the audio or midi timing in the processing cue of the CPU, which to me is completely and utterly fucking stupid, and there's no way to change that. Its timing is almost invariably better, but occasionally still leaves a little something to be desired. Logic, from the time is was Pipes and Bars has always been built upon the foundation of the midi environment, audio or no audio engine. So go ahead and use that little track delay setting discussed in the other recent thread addressing Live's timing, to line things up then power up another couple of devices, and listen to your alignment go directly to shit, do not pass go, do not collect $200.īasically, if you really want to maintain timing stability with Ableton, you should probably get one of these to sync your external sequencer with Live.Īnd all of this is because from day one, when Robert and Gerhardt cooked up the Max patch that would become Live, it was all still basically built around an audio engine, with midi as kind of an afterthought. If you hover your cursor over a device, Live will even tell you what that device costs to process, measured in samples. The jitter and latency change when you switch devices in Live on or off. Yeah, I'm going to have to go ahead and second that one on Ableton. This page shows Ableton Live has correct MIDI timing, no jitter: I don't think what you say about MIDI jitter in Ableton is true. I'd love to hear more about your setup, criticalmonkey - anything I can do to simplify my MIDI routing or make things a bit tighter would be very interesting to me. You can also measure this jitter if you want to convince yourself. In any case, I've definitely found MIDI timing to be very wonky coming from any modern computer. Any kind of clickish sound will work if you don't feel like using a short pulse, rim shot should work fine, just crank it. This is "crude" but honestly works just fine, even if you don't have DC-coupled outputs on your soundcard. The other option (if the DAW must be master) is to sample a pulse, max out its volume, and send it to an independent output straight to a clock input on the modular. FL cannot slave Ableton & Bitwig both can. These days I try to have the DAW slave to MIDI from a decent module (I'm using the FH-2), if it can. If you do this via USB MIDI (not through a decent interface), it gets even worse in most cases. Recording midi with a vi can be funky sometimes when buffers are set too high or my audio/vi track count is to highĪnd what is the master clock source in this case / how is it outputting clock? I've found MIDI clock to be generally terrible from Ableton / FL Studio / Bitwig in terms of jitter. Since most my work ends up being mixed in PT as audio, I always get a good look at sync I too use the expert sleepers stuff to control modular or modular controlling computer, but combine with midi - i can dead sample accurate sync a VI, the modular/pre midi gear and midi hardware with no issues on playback/tracking.
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